HERSource: Industry Vets Sharde’ Simpson and Ciara Reed Talk Their New Entertainment Firm Simpson and Reed, PLLC

Women in Hip-Hop get the job done. Across industries, women executives and leadership have forwarded their respective industries. In music, it is no different. For Women's History Month, The Source connected with Sharde' Simpson and Ciara Reed, industry veterans who have united as founding partners for Simpson & Reed, PLLC.

Reed is a revered music attorney with a decade of experience in music law. Throughout her career, she has led joint ventures, endorsements, license agreements, artist management deals, and more. In addition to her work as an attorney and Simpson & Reed, she leads Music Industry Moms, a non-profit designed to support mothers making strides in the music industry.

Simpson doubles as a founder of Simpson & Reed, PLLC, and the VP of Operations at DreamChasers, Meek Mill's record label with Roc Nation. Simpson was the Philly rapper's first hire. At Dreamchasers, she oversees full-label operations, including talent acquisition and marketing tactics. She previously worked at Davis Shapiro Lewit Grabel Leven Granderson & Blake LLP and Roc Nation.

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In conversation with The Source, Simpson & Reed speak on the founding of their firm, what they offer artists, their personal careers, and more.

What let you both know it was time to partner with the entertainment law firm Simpson & Reed?

We knew it was time to partner when we continuously received referrals and requests to represent clients. We worked so well together that we thought, why not start our own firm and choose who we get to work with within the industry?

Examining the entertainment industry – what did you see was missing that your firm will be able to provide?

In our industry, lawyers are often perceived as slow-moving and difficult to approach. Simpson & Reed was established to alter this commonly held view of attorneys. Our aim is to transform the prevailing narrative about lawyers in our field and make it so that we, as an integral part of the team, are readily accessible to our clients.

When forming this partnership – what conversation did you have to have with each other about goals and what mattered to you in business?

This was actually fairly easy because we were friends prior to forming our firm. Therefore we knew we had the same values and vision in mind for our firm – passion, loyalty, and family.

Ciara, how did you juggle building your own firm with the work already in front of you?

Ciara Reed: It was tricky, but I think being extremely organized and focused were keys to juggling everything. I prioritized and determined what needed to be done immediately and what matters could wait. Identifying the most critical tasks that must be completed to build our firm and ensure its success while also balancing the demands of existing work was also essential. Managing my time was also crucial, so I dedicated time to building the firm while managing the existing workload. Having Shardé as my business partner also made the juggle more manageable since she shares the firm responsibilities. Lastly, remember self-care! I managed my stress and prioritized my mental and physical health. 

How do you decide what client you want to take on for Simpson & Reed?

Ciara Reed: Our firm is referral based only, so it helps that we know the clients getting referred to us are generally going to be clients already. Because we want to ensure super service to our clients, we, unfortunately, do not take on every client that comes to us and has to be fairly selective. We also value family and loyalty in our personal lives and like to bring that to the forefront of our firm, so we make sure the clients that we take on are like family. We are all on group texts, and they can call us whenever needed. 

Clients will definitely feel the impact of Simpson-Reed, but what would you want your impact across the music industry to be?

Ciara Reed: We hope that Simpson & Reed can positively impact the music industry by making clients feel like their attorneys are more approachable. The goal is to build a working relationship with the client whereby our clients feel heard and seen by us as an integral and accessible part of their team. 

Aside from Simpson-Reed, you also have Music Industry Moms. What initially sparked the idea to create this nonprofit?

Ciara Reed: After my first baby, I realized how difficult it was to balance everything and how little support there was in the music industry for moms. I would be in awe of many women in executive positions or crazy positions like A&R, management, or even artists, and I would always ask how they did it. A general consensus was that there was absolutely no support for moms in this music industry, and it is very much needed. I became passionate after hearing all of their stories and decided something needed to change. This spurred the idea of Music Industry Moms, a support and mentorship program for moms and future moms of the music industry.

Shardé, your career has led you from law firms to DreamChasers. What is your journey that first sparked the idea to head a firm like Simpson-Reed?

I started working at Roc Nation and went to a law firm in-house. I stayed at the law firm for two years before being recruited to DreamChasers. I didn't anticipate returning to a label or working from an operations perspective, but when I was offered the position, I welcomed the change. I saw it  as an opportunity to use my legal expertise and prior experience at a label to help with the initial launch of DreamChasers. 

After being at DreamChasers for over a year and keeping in touch with Ciara, we needed to join forces and start Simpson and Reed, PLLC (www.simpsonandreed.com). I had always maintained the desire to help individuals in need of legal representation, and at the time, I was separately representing the recording artist HER on my own. After first discussions with Ciara, launching a law firm felt perfect for continuing to fill that void. 

As an integral member of two teams, how do you manage your work with DreamChasers and Simpson-Reed?

It's often a bit challenging, but with organization, discipline, and structure, I can balance the two. I also find that doing things you love doesn't feel so much like work. I find myself working on weekends and at night, but I enjoy every aspect of my work, and it makes life fun.

You have worked in various fields across entertainment; what marked your interest in areas from A&R to law?

I knew I wanted to attend law school during my final year of college. I attended Barnard College and Columbia University. When I was graduating, I was offered a job as an executive assistant to one of the co-founders at Roc Nation. It was my first job out of college, and it was the only way I knew to get into the industry.  I then transitioned to A&R admin before moving to the business and legal affairs department at the same company. I worked full-time during the day and went to Fordham University School of Law at night. I would say taking that route was more of a way to experience all aspects of the entertainment industry, but it was not necessarily my "plan." Life circumstances brought me down that path, and I am forever grateful. 

What have you learned in your past experiences that you either wanted to place in your business or created a desire to operate differently?

Attorneys have a reputation in our field for being on the slower side of things. They also have a reputation for being unapproachable. We founded Simpson & Reed with this in mind. We want to change the narrative surrounding attorneys in our field.

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You can follow both on Instagram below:

https://www.instagram.com/Shardesimpson/

https://www.instagram.com/ciarareedkennedyesq/

Hollywood Photo Booth Covered Lori Harvey's Birthday, and Photos Are Now Taking over the Internet

Luxury photo booth rental company Hollywood Photo Booth has a star-studded client list, including Lori Harvey, who recently celebrated her 26th birthday with the help of their services. The quality of their work has gained attention from People Mag and garnered millions of impressions and likes across social media channels. The company's portfolio includes top brands like Disney, Apple, and Coca-Cola and has covered events like the Grammys, Emmys, and BET Awards.

Entrepreneur and model Lori Harvey recently posted her Hollywood Photo Booth snaps on Instagram, which is now the talk of the town. The American model and socialite Lori Harvey recently turned 26 and celebrated the day with her boyfriend, Damson Idris, and friends. The star-studded birthday is now taking over the internet, thanks to her awe-inspiring photos with celebrities like Daniel Kaluuya, Offset, Hailey Bieber, and Kendall Jenner.

The founder of SKN shared the pictures on her Instagram that are now trending for their visual art. Lori looked stunning in the snaps wearing pretty black lace, and skin-tight, especially with the group. The birthday gal is posing with the gorgeous group, including Lauren Perez, Justin Skye, Jenner, and Hailey Bieber, all dressed in black. 

The quality of the photos tells us why the luxury photo booth is the go-to option for stars. The fact that People Mag published and praised Lori Harvey's Birthday snaps solidifies the effectiveness of Hollywood Photo Booth's work. The founder and president of Hollywood Photo Booth, Mike Tertoole, has been the company's main driving force for over 26 years.

"We started our journey in 2006, and we are thrilled that Hollywood Photo Booth is one of the most respected and recognized companies in the Luxury Photo Booth space. We are fortunate to have a star-studded roster of satisfied clients in Los Angeles and other major cities across America. The demand for quality luxury photos has seen record increases yearly aside from covid, and we don't expect it to change any time soon." said Mike. 

Hollywood Photo Booth's prestigious client list includes celebrities like Adam Sandler, LeBron James, and big corporations. The portfolio reads like a Forbes Fortune 100 list and includes Disney, Apple, Coca-Cola, Adidas, and Netflix as just a tiny sample of its recent clients. And the list does not end here, as the company has also covered Grammys, Emmys, Critics Choice Awards, Comic-Con, and BET Awards.

"Most of the clients on our lists are celebrities and Fortune 100 companies, and we go to lengths to satisfy them. Our amenities include mobile photography activations, 360 video experience, photo mosaic walls, and various photo booths widely used on occasions. We serve events all over the West Coast, but our luxury Beauty Booth is popular among celebrities wherever they may be." said Mike. 

Mike said that their photo booth uses exclusive, proprietary software. "We strive to capture flawless photos, but our level of customization has earned us a good name. Heidi Klum, Charlize Theron, Maroon 5, and even the Kardashians have used our beauty booths. It has only gotten praise and millions of impressions and likes across social media channels."

Talking about the future, Mike explained that the company is now ready to expand and break the barriers of the West Coast. Hollywood Photo Booth is determined to reach a maximum number of social and Hollywood celebrities. The company adds glamor to grandeur events through its luxury photo booths.

About Hollywood Photo Booth:

The Hollywood Photo Booth is a luxury photo-booth rental company based in Los Angeles, California. The corporation has been offering its services across the west coast since 2006. Hollywood Photo Booth provides awe-inspiring services to celebrities for events that get them in the limelight.

Media ContactCompany Name:

Hollywood Photo Booth

Contact Person:

Mike Tertoole

Email:Send EmailPhone:

310-756-4098

Country:

United States

Website:https://hollywoodphotobooth.com

© 2023 Benzinga.com. Benzinga does not provide investment advice. All rights reserved.

I'm A Celebrity All Stars start date 'REVEALED'

The I'm A Celebrity... Get Me Out of Here! All Stars start date has been revealed.

The South African spin-off is reportedly set to begin on Monday 24th April, and will therefore clash with the Eurovision Semi-Finals.

According to The Sun, the pre-recorded all stars show will air weekdays and will run for three weeks.

This means that the final week will clash with the Eurovision Semi Finals on Tuesday 9th May and Thursday 11th May.

 ITV declined to confirm the show's official start date when contacted by MailOnline.

© Provided by Daily Mail DATES! The I'm A Celebrity... Get Me Out of Here! All Stars start date has been revealed, with the South African spin-off is reportedly set to begin on Monday 24th April © Provided by Daily Mail Comeback! According to The Sun, the pre-recorded all stars show will air weekdays and will run for three weeks

Just last weekend, the first nine celebrities taking part in the all-stars spin-off of I'm A Celebrity were revealed, with hosts Ant McPartlin and Declan Donnelly making the announcement during Saturday Night Takeaway.

Former Coronation Street star Helen Flanagan, 32, television presenter Carol Vorderman, 62, former boxer Amir Khan, 36, and model Janice Dickinson, 68, are all taking part in the pre-recorded version of the show which was filmed in South Africa.

They will be joined by the late Princess Diana's former butler Paul Burrell, 64, Diversity dancer Jordan Banjo, 30, Happy Mondays star Shaun Ryder, 60, retired javelin thrower Fatima Whitbread, 62, and former English international cricketer Phil Tufnell, 56.

The new series sees the return of some of the most memorable campmates from I'm A Celebrity...Get Me Out Of Here! in the brand new setting of South Africa, and more stars will be announced in due course

The challenges will be bigger and tougher and the environment harsher and more unforgiving than the usual Australian jungle.

With no public vote, they will be competing against each other in a battle to become the first ever I'm A Celebrity Legend. 

Ant said: 'It's a question we always get asked...who would you bring back to the jungle? So to get this opportunity to make a brand new show in South Africa and put some of our previous campmates through their paces again was the dream.'

Dec added: 'It's bigger and wilder than we could have hoped for so viewers are in for a real treat!'

Viewers will see a group of 15 soap stars, reality TV personalities and sporting icons enter the camp. 

A source previously told The Sun: 'It's a different format to Australia, who knows when and where celebrities will enter camp, literally anything could happen.

'It's not clear how many will start in camp or how many will be there by the end when one is crowned King or Queen of the jungle, possibly for a second time.

'It's the best of I'm A Celebrity, quite literally, but there's some twists and surprises along the way for viewers and campers so it's not going to be as straightforward as they might think.'

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Law Roach’s Partnership With TJ Maxx Is The Fashion Industry’s Best Kept Secret

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Source: Michael Buckner / Getty

On Wednesday, March 29, I had the amazing opportunity to participate in a highly selective event showcasing the fashion industry's best-kept secret in collaboration with renowned Image Architect Law Roach. As Law embarks on his journey as his true self, T.J.Maxx is thrilled to announce its partnership with him for the brand's first-ever fashion showcase by immersing us in all the spring trends.

Source: Joce Blake / Joce Blake

Law Roach is a celebrity stylist known for his work with some of the biggest names in the entertainment industry, including Zendaya, Meg Thee Stallion, and Kerry Washington. He has been recognized as one of the most influential stylists in Hollywood, having been named to The Hollywood Reporter's "25 Most Powerful Stylists in Hollywood" list multiple times.

Roach's impact on Black women, in particular, has been significant. He has been credited with bringing a fresh, modern perspective to red-carpet fashion and has worked to promote a more diverse and inclusive image of beauty in the industry. Roach has also been a vocal advocate for body positivity and is known to dress women of all shapes and sizes in styles that make them feel confident and beautiful. When discussing the importance of his collaboration with T.J. Maxx, he said, "I have a very interesting relationship with T.J. Maxx. When I moved to New York years and years ago, it was the place where me and my friends in college, who was always really into fashion, and we wanted to have that small piece of luxury. We wanted to feel like we were part of the conversation. We wanted to feel like we were fitting in with everyone else. And T.J. Maxx, since then, has always been that place where we can all go and feel like we can be a part of the dream."

Source: Joce Blake / Joce Blake

Roach is praised for pushing boundaries and challenging traditional fashion norms while staying true to his client's individual styles and personalities. His work has helped redefine what it means to be a "stylish" woman and inspired countless others to embrace their unique fashion. This partnership highlights his highest desire to make fashion accessible to everyone.

T.J.Maxx has teamed up with Law Roach to showcase the designer collections available on The Runway, both online and in specific stores. The Runway has been a part of T.J.Maxx for over 15 years, but this is the first time it has been highlighted. In partnership with the brand, Law Roach curated a fashion presentation that unveiled the new spring collection. The presentation featured 15 looks that Law exclusively put together, showcasing high-end styles that can be found in The Runway, T.J.Maxx's premium designer shop. The Runway is known for offering top-notch, high-quality, and coveted designer items at unbeatable prices all year long. If you're looking for the best selection of designer spring fashion, The Runway at T.J.Maxx is the perfect place to shop until April.

Source: Joce Blake / Joce Blake

Regarding Spring 2023 fashion trends, Roach says it's all about vibrant colors, bold patterns, and playful designs. Some of the most popular trends this season include:

Neon colors: Bright shades of pink, green, orange, and yellow are all the rage this season. Think of highlighter hues that are impossible to miss.

Floral prints: Florals are a perennial spring favorite, but this year, designers are taking things up a notch with bold, oversized blooms in various colors.

Sheer fabrics: From organza to mesh, sheer fabrics are a great way to add texture and visual interest to your spring wardrobe. They're perfect for layering and can be dressed up or down.

Oversized silhouettes: Forget about form-fitting clothes – this season, it's all about oversized jackets, baggy trousers, and roomy dresses that prioritize comfort and ease of movement.

Fringe details: Fringe is back in a big way this season, with designers incorporating it into everything from jackets to skirts to handbags. It's a great way to add some movement and texture to your outfits.

Overall, the key to pulling off these bold and bright trends is to have fun with them and not take fashion too seriously. Mix and match patterns and colors, experiment with different silhouettes, and don't hesitate to make a statement.

DON'T MISS…

My Love For Law Roach Runs Deeper Than Fashion

Law Roach Addresses Claim That He's 'Breaking Up' With Zendaya Amid Retirement Announcement: 'We Are Forever'

John Travolta's 'Saturday Night Fever' suit, Indiana Jones' machete & more hitting Hollywood auction block

John Travolta's 'Saturday Night Fever' suit, Indiana Jones' machete & more hitting Hollywood auction block

Friday, March 31 2023ABC News Radio

Once again, Julien's Auctions is letting fans get a hold of some pieces of Hollywood history, if they've got some serious dough burning a hole in their pockets.

The Hollywood: Classic & Contemporary auction is taking place live at the auction house in Beverly Hills and online on Saturday, April 22, and Sunday, April 23. Going on the block are a massive collection of props and wardrobe that run from John Travolta's iconic white three-piece suit from Saturday Night Fever to screen-used Iron Man helmets and more.

The suit is being called the centerpiece of the auction and has an estimated price tag to match: Tony Manero's disco wear is expected to fetch between $100,000 and $200,000. But when the hammer finally drops, don't be surprised if it fetches way more.

Other items up for grabs include Harrison Ford's machete from 1984's Indiana Jones and the Temple of Doom, which is also in the very respectable neighborhood of $100,000 to $200,000; an original Iron Man Mark XLVI helmet from 2016's Captain America: Civil War, which could fetch $80,000 to $100,000; and Marty McFly's hoverboard from 1989's Back to the Future 2, which ranges from $60,000 to $80,000.

Fans can also bid on Theda Bara's coronation headdress from the 1917 film Cleopatra ($20,000 to $30,000), and Ralph Fiennes' "Voldemort" wand from Harry Potter and the Goblet of Fire, which can bring in at least $7,000, plus hundreds of other items.

Check out the 1,400-item lot up for grabs at the Julien's website.

Copyright © 2023, ABC Audio. All rights reserved.

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Faced With the AI Revolution, the Entertainment Industry Can’t Pull a Napster | PRO Insight

Google Bard, the ubiquitous search engine's answer to Microsoft's breakout Bing Chat, was recently asked what it thinks generative AI is good at. Its verbatim answer, "tasks that require creativity," isn't particularly music to the ears of artists and others in the entertainment industry.

Bard specifically self-identified its top skill sets to be "creating art and music, writing stories and poetry, designing products and services, generating new ideas." In other words, AI has its sights directly on our creative community across all of its sectors and directly threatens demand for our works and our jobs. Case in point writers and authors. OpenAI, the company that created ChatGPT and powers Bing Chat, just published a study that concludes that writers are 100% exposed to AI dislocation.

AI already pumps out millions of new songs (Boomy users have created 13 million-plus songs, reportedly 13% of all recorded music). It writes articles, novels and scripts (LinkedIn founder Reid Hoffman just published his book "Impromptu" by collaborating with GPT-4). It churns out endless graphics and art (Midjourney and Stability AI are leaders). It even creates full videos based on just a few words of text (Runway's Gen-2 generative video model is coming soon). Even major artists like David Guetta are using AI to replicate the voices of other major artists like Eminem in their songs, calling him Emin-AI-em.

And that's only four months after OpenAI unleashed ChatGPT into a largely naïve and unsuspecting world. So just imagine the power of AI one year from now. Or five years? Ten? The truth is we can't.

Also Read:Lore Machine Wants to Use AI to Unlock the Value in Hollywood's Vaults | PRO Insight

But we must try. We, the entertainment industry, must find ways to keep humanity front and center in the art of creativity. Our art, our audiences, and our jobs depend on it. This isn't some anti-tech rant or form of charity. It's a fundamental belief that our creative souls cannot be matched by code-churning machines. There is an idiosyncratic artisanry, a craft to all creative works.

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Knowledge is power, but knowing the threat of AI and the potential of humanity isn't enough. Prioritizing humanity takes active education and work. Part of the solution is to accept our daunting new AI reality – to learn the language of AI, experiment with it, and leverage its immense power to our advantage. For example, AI may help break through writer's block without overtaking the art and personality of writing itself.

Also Read:Do Chatbots Get Us Any Closer to Human-Level Artificial Intelligence? | PRO Insight

Equally important is activism. To that end, 40 different entertainment organizations announced a new coalition called the Human Artistry Campaign at SXSW two weeks ago. Its mission is "to ensure artificial intelligence technologies are developed and used in ways that support human culture and artistry – and not ways that replace or erode it." Notably, just like it did during the last massive technological threat 20-plus years ago when rampant Napster-enabled Internet piracy decimated the music industry, the RIAA is taking center stage now with AI. It is a founding member of the Human Artistry Campaign.

But this time the RIAA has openly acknowledged the AI tech revolution and is proactively seeking solutions, an approach that is fundamentally different from its reactive "shoot first and ask questions later" mass litigation strategy decades ago against peer-to-peer networks and their users. That failed strategy somehow made the music industry the bad guys. Remember the backlash against Metallica for simply condemning the theft of its music? Collective industry activism and education was needed in support of artist livelihoods, but few came to the band's defense. There's a lesson to be learned here for these AI times.

Yes, serious copyright infringement issues arise as AI trains itself by "scraping" the vast Internet (I've written about this before in TheWrap). But that doesn't mean that we simply try to litigate AI out of existence. We can't. While selective litigation certainly can play its part, it was proactive human innovation that ultimately began to show a way out for the music industry. Pioneering companies like Musicmatch (where I served as president and COO) invented better consumer experiences – specifically, easy-to-use on demand streaming – that technology alone couldn't match and paid the artists and rightsholders to do it.

Also Read:To Err Is Human – and That's What Makes Human Creativity in the Age of AI Divine | PRO Insight

Steve Jobs and Apple, of course, took the promise of better consumer experiences to entirely new heights with the iPod/iTunes combo pack. Although Apple was the primary beneficiary (as I wrote in a recent column in TheWrap), at least the giant demonstrated that consumers will pay even when they can get things for free. And now 20-plus years later, while piracy certainly hasn't been eradicated, the music industry just announced its eight consecutive year of growth (9% year over year this time).

Some examples of innovation that point the way include Lore Machine (I featured the company in a recent column). It uses its AI to create entirely new StoryScapes – think graphic novels – from creative projects that had been essentially abandoned, paying participating artists in the process. Another is Adobe. The giant creator software platform just launched Firefly, a new non-infringing tool that trains its AI only with its licensed stock images and public domain works. Meanwhile, Flawless' and Synthesia's generative AI creates lip-synced visualizations in multiple languages, opening up a new global audience for international filmmakers by making subtitles a thing of the past.

On the music side, flooding the market with millions of artificially created songs may not be helpful, considering 38 million tracks on music streaming services received zero plays. But AI can also expand demand for songs by actual humans. That's how new music players should think. Yes, integrate AI. But create entirely new experiences that delight consumers and also pay the artists! Adaptive music is one intriguing concept, assuming artists are on board for real-time remixes. Let's say you're a runner. Now you can take your favorite playlist and use AI to rework its tempo to match your running pace. More listening means more royalty payments.

Also Read:Next Up for AI Chatbots? It's All About How to Apply Them | PRO Insight

And let's not forget the obvious opportunities of live music and entertainment, as well as the often overlooked concept of fandom – things still beyond AI's reach, no matter how hard it tries. In the world of media and entertainment, it's frequently not just about the creative work itself. Value flows from IRL shared experiences that create lasting memories, real-world access to artists, and the communities created by, and supporting, the artists themselves.

Finally, proactivity means immediate calls for regulation, for basic guardrails, because we certainly can't bank on the tech industry to regulate itself during this AI arms race where few corporations are rewarded for thoughtfulness, social good, and simple humanity.

The entertainment industry and creative community can continue to thrive in our world of accelerating AI. We gotta believe, and we gotta try. After all, optimism in the face of daunting challenges is a human trait that AI cannot match.

For those of you interested in learning more, visit Peter's firm Creative Media at creativemedia.biz and follow him on Twitter @pcsathy. And a special note for readers in the entertainment and creative community, I'd like to hear your stories about how you have already used AI for a future story I plan to write. Please send me a note at peter@creativemedia.biz.

Also Read:AI and the Rise of the Machines: Is Hollywood About to Be Overrun by Robots?

Greta Thunberg’s book shows just how empty the climate celebrity is

Thunberg has become the poster child for climate change activists. REUTERS

If Taiwo's revisionist and selective approach to history leaves a lot to be desired, his proposed solutions are even worse.

Talk of an "energy democracy" sounds more like communism to the informed reader.

He quotes the Black Panthers and calls for a "Black radical agitation" approach to reparations, "giving cold, hard cash" to people "deprived by the aqueducts of history," which leads to the obvious question: Who pays whom?!

Greta Thunberg has become a cult icon in the climate conversation. But as I found out in person when I spent 20 minutes talking to her in Davos, she has very little to contribute.

One can only assume "expert" friends tend to provide talking points, if not a script, for her speaking engagements.

Greta's book is a testament to this: She has very little to say because she has no expertise in the area. This collection of propaganda pieces from activists is the best she has to offer.

It's troubling because so many young people around the world

look to Greta for direction, but it seems she's just as lost as the rest.

Instead of fearmongering about an imaginary man-made crisis and advocating for the skipping of school, Greta would do well to remind young people of the importance of education.

If there is a climate crisis in the future, we'll need intellectuals, scientists and experts to provide solutions, not extremist activist teenagers.

The Rev. Calvin Robinson is an Anglican Deacon in the Free Church of England (REC, GAFCON) and TV/radio presenter on GB News.

Hollywood’s Covid Protocols Get Expiration Date; Vaccine Mandate Will End

© Provided by Deadline

UPDATED with unions' statement: Hollywood's Covid protocols will expire on May 12, and the vaccination mandate — which gave producers the right to require Covid vaccinations as a condition of employment — will end for all productions except those that were implemented prior to May 12, which can continue to apply for the remainder of the production or the season.

The Return-to-Work Agreement had been set to expire on Saturday.

First enacted in September 2020 per an agreement between the Alliance of Motion Picture & Television Producers and Hollywood's unions —  SAG-AFTRA, the DGA, IATSE, the Teamsters and others — the protocols allowed productions to rebound after an industrywide lockdown early on in the pandemic. The protocols originally had been set to expire on April 30, 2021, but were extended nearly a dozen times, including in June 2021, when producers were given "the option to implement mandatory vaccination policies for casts and crew in Zone A on a production-by-production basis.� �� Zone A, where unmasked actors work, is the most restrictive of the safe work zones on sets.

The most recent extension of the protocols was in January.

A statement issued today by the AMPTP says:

"The Return to Work Agreement, set to expire on April 1, 2023, will now will continue to remain in effect through May 11, 2023. As of May 12, 2023, the Return to Work Agreement will terminate.  

"The date coincides with the U.S. Department of Health and Human Services' end to the federal COVID-19 Public Health Emergency declaration on May 11.

"All employees shall have a total of five (5) days of temporary COVID-19 paid sick leave per Producer, which may be used during the period beginning April 2, 2023 and ending on December 31, 2023, to cover one or more Eligible COVID-19 Events

"Any production which has implemented a mandatory vaccination policy for employees in Zone A prior to May 12, 2023 may continue to apply that mandatory vaccination policy for the remainder of the production (or season, in the case of a series)."

Unions signing off on the agreement to end the protocols include the DGA, SAG-AFTRA, IATSE, the International Brotherhood of Teamsters, Teamsters Local 399, IBEW Local 40, LiUNA! Local 724, OPCMIA Local 755 and UA Local 78.

The unions, which were taken by surprise by the AMPTP jumping the gun on the announcement, said in a joint statement:

"For the past three years, workers throughout the entertainment community have benefited from our robust protections exceeding the practices of many other industries. With the public health emergency now ending and the expiration of the Covid-19 Safety Agreement, individual employers continue to be responsible for ensuring safe workplaces for their employees, but must seek separate agreement with the applicable joint unions before implementing any Covid safety protocols.

The transition, they noted, includes the following conditions:

1.  Grandfathering: Projects in production before May 11, 2023, which had already established a mandatory vaccination policy in Zone A, may keep that policy for the duration of that production. For episodic projects, this applies only to the season in production before May 11, and not for subsequent seasons.2.  Intimate Photography: SAG-AFTRA and AMPTP have reached an understanding on a testing system for performers involved in intimate scenes to ensure their safety and well-being.3.  Additional Paid COVID -19 Sick Days: The unions have secured an additional five paid COVID-19 sick days for all employees through the end of the year.

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‘It’s finally happening’: Kathy Griffin leads celebrity reactions to Donald Trump’s indictment

On Thursday (30 March), Donald Trump became the first-ever former US president to face a criminal indictment and many celebrity critics have already reacted to the news.

A New York City grand jury indicted the twice-impeached ex-president on charges of falsifying business records stemming from payments he made to adult film star Stormy Daniels to prevent her from revealing an affair he had with her before the 2016 election.

Follow The Independent's live coverage of the historic indictment here.

The ex-president furiously reacted to the decision on his Truth Social website, calling it "an attack on our country". On Twitter, however, many stars have rejoiced at the news.

US comedian Kathy Griffin – who was fired from CNN in 2017 after sharing a photo of herself holding an effigy of Trump's decapitated head – tweeted (via The Hill): "It's finally happening."

Another Trump critic, author Stephen King tweeted: "Wise up, Republicans. Don't believe the lies. This isn't political. Donald Trump did this to himself. He betrayed your trust."

Star Trek star George Takei wrote: "Let 2023 be the year of accountability."

"Happy indictment day, to those who celebrate," he added in another tweet.

Fahrenheit 9/11 director Michael Moore tweeted, "FINALLY! SOMETHING" alongside a square of block orange.

Grammy-winning songwriter Diane Warren tweeted: "Happy Donald Trump is indicted Day!!!!"

Charmed star Alyssa Milano – who has been a vocal Trump critic in the past – wrote: "Although accountability is vitally important and no one is above the law—this is a really sad day for The United States Of America."

In a seperate tweet, she added: "The MAGA Republicans in office lied for [Trump] and want to undermine and overturn our entire legal system to keep covering up for him. It's past time for every Republican in office to declare they are with the American people in demanding Trump & his co-conspirators stand trial."

The New York grand jury's indictment against Trump could be just the first set of criminal charges facing the ex-president as he attempts to return to the White House for a second, nonconsecutive term.

Authorities in multiple jurisdictions are overseeing four other investigations that could result in more indictments against the former chief executive.

Read more about what happens next in the Trump indictment here.

Women in SEA entertainment industry speak out on challenges, representation

© Provided by The Manila Times (From left) Panelists Marla Ancheta, Manatsanun 'Donut' Phanlerdwongsakul, Kamila Andini, Eirene Tran Donohue, Anupama Chopra and moderator Marissa Anita kick off the panel discussion. NETFLIX PHOTO

Just before the International Women's Month celebration conclude this year, Southeast Asian creators and talent behind Netflix's stories, by, for and about women, have come together in Jakarta, Indonesia to talk about their experiences and perspectives as women in the entertainment and filmmaking industry.

Themed "Reflections of Me," the event served as a platform where creators and talents talked about their shared experiences as women in the industry, and their journey in promoting inclusion and breaking stereotypes and biases.

"At Netflix, we believe more people deserve to see their lives reflected on stage and on the biggest screens we can get in front of. We know more inclusion behind the camera leads to better representation on screen which is why we're committed to creating opportunities in front and behind the camera for people from all backgrounds and cultures," Amy Kunrojpanya, Netflix Vice President of Public Relations, Asia Pacific shared in during the event.

"Not all female-led films are created equal. There's a difference in female stories that are told through the male gaze compared to films about women, by women and for women. It's important to give women a chance to tell their own stories because as we all know, stories have the ability to change lives and to change the world," she continued.

"Netflix wants to close the distance between underrepresented communities within our audiences, and those who are represented on screen allowing more viewers to see more of themselves in more stories and more places by providing a window to experience and celebrate diverse stories that have never been told before, to a global audience. Netflix hopes to shine a light on inclusive, and original voices in media and entertainment," Kunrojpanya added.

Among those who delved deeper into their journeys of filmmaking and examined the impact women can and do have on the entertainment industry include Anupama Chopra, film critic and lead of Netflix's "Take Ten" program in India; Eirene Tran Donohue, "A Tourist's Guide To Love" writer; Kamila Andini, Indonesian director of "Cigarette Girl;" Manatsanun 'Donut' Phanlerdwongsakul, Thai actress in "Thai Cave Rescue;" Marissa Anita, Indonesian actress in "Ali & Ratu Ratu Queens, Impetigore;" and Marla Archeta, Filipino director of "Doll House."

Throughout her years as a film critic, Chopra have observed some stereotypical portrayals of female characters in movies. For creators avoid the stereotypes to ensure authenticity in female characters, especially nowadays, she shared that it is important to get more women to tell these stories.

"I think just have more women tell stories, to have more women be in positions of power, to be in positions where they're greenlighting projects. You know, studies show that when HODs (Head of Department) are women, when the person commissioning a project is a woman – at least in India – the studies show that women even get more talking time in the trailers. And that's the impact of having women tell their own stories," Chopra said.

"I think we should always continue to check our own biases and those kinds of stereotypes in our own head, that would go a long way," she added.Much like in India, the film industry in Indonesia is also male dominated. For Andini, it is important to build a safe space for women when filming up production even if there were some challenges."Creating a safe space for any gender for me is one of the things that I always tried to pursue in each of my productions.Usually I try to always pursue a balanced ratio of male and female creators that work for the film. But this is also hard because of mostly it's, it's male dominated," Andini shared.

"It's very different in the past how you approach and how you talk. A lot of people doesn't know that much about consent yet, like how you talk to them and how you direct and how far can you touch someone and things like that? So, this is still the challenges because it's been going on over the years, but for me, I think especially leaders and production companies, it's important to give some sort of awareness to everyone in the production that everyone, all genders deserve a comfortable and secure environment for them to create," she continued.

"I think it's important to implement code of conduct and ethical work practices. So, it pays for more women to enter the industry. We know there are so many female filmmakers that didn't want to continue because of feeling that it's not something for them. It's like the world is very tough for them or things like that. But filmmaking is for everyone, literally everyone," Andini added.

In contrast, meanwhile, the landscape of the film industry is different wherein women almost equal to the number of men in production. According to Archeta it is good to see that the scene is continually evolving.

"I would say I'm lucky and grateful that in the industry that I've been working on, there are a lot of women – female directors, writers, cinematographers, producers – and hopefully there will be more. The younger generation actually has more female directors and I've seen their films also and all are good," ArchetaAsked about the role women play in their chosen field, she finally mentioned, "I believe it doesn't limit to just one. With me being a director, I am also a mom, a wife, a sister so I play so many roles. It depends on the situation where we need to perform. I guess it's our skill as women, we can adapt in every situation we're in because that's our nature. We can perform limitless roles."

I’m A Celebrity: Where are they now?

We watched them conquer their fears, tackle tucker trials, spill their guts and often eat some too but what are our fave celebs up to after surviving South Africa?

For most, life post-jungle has meant more time on our televisions and radio roles but for a certain few, a mouth-full of scoffing beetles now seems like a breeze.

One celeb has even come clean and confessed to cheating their way to the crown.

As we countdown to the 2023 series of I'm A Celebrity... Get Me Out Of Here! Australia, which premieres on Sunday April 2nd, we check in with some of your all-time favourite stars of the jungle to see what they've been up to!

Freddie Flintoff

The English cricket team may not have many fans in Australia, but their former cricket captain, Freddie Flintoff, managed to win over plenty of hearts.

Entering the jungle in season one as an intruder, the charming Brit ended up taking home the crown.

Almost eight years later however, he revealed on BBC Radio 5 Live's podcast that he cheated! Freddie confessed he told the show's producers he was a smoker.

As smoking is prohibited on Australian TV, anyone wanting a cigarette would have to leave the set.

"They asked me how many I wanted a day so I said five knowing I'd have to do it off screen," he revealed.

"I'd walk out the gate and there'd be a chair with a cigarette that I didn't have, I just sat and had some peace to myself, not filmed and in nobody's hearing."

Since retiring from professional cricket in 2009, Freddie has starred on several TV projects including as one of the hosts of BBC's Top Gear.

© Provided by Are Media Pty Ltd Freddie Flintoff took home the IAC crown. Joel Creasey

Self-proclaimed 'acid-tongued prince' and comedian Joel Creasey was sure to be hit with I'm A Celeb fans thanks to his cheeky and unapologetic attitude.

After placing fourth in the show's first season in 2015, Joel has kept busy, popping up on our TV screens on countless occasions.

As well as performing shows around the world the comedian hosted SBS's broadcast of the Sydney Gay and Lesbian Mardi Gras Parade, the Eurovision Song Contest with Myf Warhurst and played Cupid to some sexy singles on dating show, Take Me Out.

He currently hosts Nova's afternoon radio show alongside Kate Ritchie and Tim Blackwell.

© Provided by Are Media Pty Ltd Joel had his eyes on the prize. Steve Price

If anyone was going to ruffle feathers in the jungle it was Steve Price.

The shock jock caused quite the stir with his bold opinions but he also had his moments, including being brought to tears by a letter from home.

He currently makes guest appearances on The Project and is a columnist for the Herald Sun, Sky News Paul Murray program and the Sharri Markson show.

READ NEXT: Is I'm A Celebrity Australia real or fake? We investigate

© Provided by Are Media Pty Ltd Steve Price swallowed a few creepy crawlies. Fiona O'Loughlin

2018 Queen of the jungle, Fiona O'Loughlin not only won I'm a Celebrity but also the hearts of the nation.

The comedian's complete honesty about her struggle with alcohol – including a two and half week stint in a coma – as well as her failed suicide attempt, was a breath of fresh air for the public.

After taking home the crown, Fiona has been on tour around the country as well as making various TV appearances. She also spends her time being a doting grandmother to her adorable grandchildren.

Natalie Bassingthwaighte

From her time on Neighbours as villain Izzy Hoyland to her electro-rock tunes as part of band, Rogue Traders, Nat has long been loved by Aussie fans.

And her time in the jungle was no different.

The always chipper camp-mate came third in season three of I'm A Celeb.

Things haven't slowed since, with the actress, singer and presenter reprising her role on Neighbours for a short time as well as making several other TV appearances.

She went on to star in Tony and Grammy Award winning jukebox musical Jagged Little Pill - inspired by Alanis Morissette's hit nineties album.

READ NEXT: I'm A Celebrity Australia: Inside the wild filming location

© Provided by Are Media Pty Ltd Why so unimpressed, Nat? Brendan Fevola

After a string of high profile scandals led to his AFL career coming to an abrupt end, Brendan Fevola, took to the jungle to turn his image around.

The former Carlton and Brisbane Lions player opened up while on the show about his reasons for joining the cast.

"There's a lot of people that dislike myself because of my own actions. When I was younger and immature, I did a few things wrong and threw away my footy career."

"Now that I'm a bit older and I've got three young daughters, I want everyone to not taint them with the same brush. Especially Alex — when they associate me, they associate her, and it's not fair."

It seemed to work, with Fevola winning over the public and going on to a career in radio with the Fifi, Fev and Byron show. He and wife Alex are proud parents to four daughters.

© Provided by Are Media Pty Ltd Brendan was all smiles when he took home the crown. Casey Donovan

Casey first skyrocketed to fame at just 16-years-old after winning Australian Idol.

After which however, she all but disappeared from the limelight. That is until she entered the jungle in 2017 where she once again won over Australia.

The singer famously opened up about a six year relationship she had with a man named Campbell, who she eventually discovered never existed but was part of a catfish scheme.

Life after her second reality TV stint has done Casey wonders, she proved her acting chops in shows Black Comedy, Street Smart and How To Stay Married as well as the stage musical 9 to 5.

© Provided by Are Media Pty Ltd Never smell before you taste it, Casey! Shannon Noll

It seems Shannon Noll is destined for the silver medal. Rising to fame after coming runner up on Australian Idol, the Aussie singer also came in second place to Fiona O'Loughlin on I'm A Celeb's fourth season.

Shannon famously opened up on the show about the difficulties he endured trying to keep his family farm running after his time on Idol.

Life post-jungle has been a roller-coaster for the singer, who appeared in court and pleaded guilty for cocaine possession.

He also welcomed baby boy Colton in December 2018 with wife Rochelle, after being told he could never father again.

© Provided by Are Media Pty Ltd Second place for the second time, Shannon! Miguel Maestre

With his booming voice and infectious smile, you can't not love Miguel!

The Spanish-born chef and Living Room presenter not only brought joy to the campsite but he also won the series, taking home $100,000 for his chosen charity, R U OK?.

Since his big win, Miguel has continued his TV roles as well as remained an ambassador for not only R U OK? but also Cancer Council Australia and CARE Australia.

Miguel is happily married to wife Sascha Newport, and is a proud dad-of-two to Claudia and Morgan.

Abbie Chatfield

She may have had a tough time after her Bachelor stint but Abbie had the last laugh when she won in 2021.

The 2019 Bachie runner-up admitted to TV WEEK after her win, "I thought it was banter!"

Since her win, Abbie's been killing it with her podcast It's A Lot and with her pro-vaccine social media movement as well as hosting Love Island's sister show Afterparty.

She also hosts her own weeknight radio show called 'Hot Nights with Abbie' on the HITT.FM network.

© Provided by Are Media Pty Ltd 2021's Queen of the Jungle was Abbie Chatfield. Dylan Lewis © Provided by Are Media Pty Ltd Dylan DOMINATED the bush tucker trials during his season.

Dylan Lewis was crowned the winner of I'm A Celebrity... Get Me Out Of Here! Australia for 2022, taking home $50,000 in prize money and $100,000 for his nominated charity Lifeline.

Since his win a year ago, Dylan has continued to make music with his bank The Haploids and The Brown Hornet Funk.

He also posts regular comedic and musical skits to his social media accounts.